Tu
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马克·森卓斯基,凯蒂·加瑞森,罗伯·席勒,乔尔·兹维克,杰夫·富兰克林,理查德·科雷尔
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《欢乐再满屋 Fuller House》沿用原劇設定，這次角色放在成了獸醫，住在舊金山的D.J. Tanner-Fuller（Candace Cameron Bure飾，下括號同）喪夫後，她那立志當音樂家的妹妹Stephanie Tanner（Jodie Sweetin）﹑D.J.閨蜜兼同事，單親母親Kimmy Gibbler（Andrea Barber）及其好勝的女兒Ramona（Soni Nicole Bringas）一同搬到D.J.家，照顧起她的3個兒子，分別是12歲﹑叛逆的Jackson（Michael Champion）﹑7歲﹑神經質的Max（Elias Harger）及新生兒Tommy Jr（Messitt雙胞胎）。 至於原劇角色Jesse Katsopolis（John Stamos）﹑Danny Tanner（Bob Saget）﹑Joey Gladstone（Dave Coulier）﹑Becky Katsopolis （Lori Loughlin）及Steve Hale （Scott Weinger）皆會是客串方式登場。
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Jonathan Halperin
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WithStrangerThings:TheFirstShadowlaunchingitsfirstpreviewperformancetonightonBroadway,NetflixhasannouncedBehindtheCurtain:StrangerThings:TheFirstShadow.Followthecastandcrewastheyraceagainsttimetopreparetheambitious,criticallyacclaimedWestEndstageplay,whichopenedatLondon’sPhoenixTheaterinDecember2023.StrangerThings:TheFirs...
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伊娃·于颂
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Playdate is based on American/Norwegian author Dahl’s (no relation to Roald Dahl) fourth novel.
In Playdate, a seemingly ordinary decision turns the world of Elisa, mum to two young kids, upside down. When Elisa’s nine-year-old daughter asks to go on an overnight playdate with her new best friend, Elisa agrees. But when she says goodnight to her daughter, she has no idea that she is about to be thrust into every parent’s worst nightmare, and when Elisa goes to pick her up, she discovers that the beautiful house was a holiday rental, while her daughter has disappeared. What follows is a manhunt across Europe, while Elisa and husband Fred find themselves the object of police scrutiny.
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伊里·马德尔
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Czech actor-turned-director Jiří Mádl has wrapped shooting on his third fiction feature, Waves, which centres on the turbulent period of the Warsaw Pact invasion, a seminal moment in modern Czechoslovak history. The period drama is inspired by real-life correspondents from the Czechoslovak Radio International Bureau during the late 1960s. The film, set against the tumultuous backdrop of the Prague Spring and the 1968 invasion, tells the story of two brothers navigating the challenges of the period. The protagonists are Tomáš and his younger sibling, who find themselves in the midst of the 1968 May Day Parade outside the Czech Radio building, where the film crew has been shooting some scenes. The foreign radio department was known for independent news reporting despite the prevalent censorship. However, the blossoming of the communist regime will soon be abruptly halted by the Warsaw Pact tanks.
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Tushar Kanti Ray,Debatma Mandal
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在21世纪初孟加拉，一位受人尊敬的军官去世后，IPS Arjun Maitra与强大的黑帮分子和腐败的政治家对峙，他的使命是为一个被犯罪和混乱所笼罩的地区带来法律和秩序。
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朱利安·科隆纳
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Corsica, 1995. It’s Lesia’s first summer as a teenager. One day a man bursts into her life and takes her to an isolated villa where she finds her father, in hiding, surrounded by his clan. An underworld war erupts. The noose is tightening around them. Death strikes. Forced to go on the run, father and daughter will learn to face one another, to understand and love each other…
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马丁·斯科塞斯
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痴迷脱口秀笑话表演的鲁帕（Robert De Niro 饰）梦想自己也能站在舞台上享受观众的欢呼，借疯狂粉丝玛莎（Sandra Bernhard 饰）创造的机会，鲁帕得以和脱口秀明星杰瑞交谈，鲁帕踌躇满志的自我介绍，虽然杰瑞敷衍了事，但鲁帕仍视自己为杰瑞的好友。为了能在心爱的丽塔面前出人头地，鲁帕不惜一些代价要获得与杰瑞同台表演的机会，另一方面杰瑞被鲁帕的纠缠搞到忍无可忍，将鲁帕与并不知情的丽塔赶出家门。杰瑞的行为激怒了鲁帕，他与玛莎合作绑架杰瑞，威胁电视台播放自己的表演，鲁帕终于如愿以偿，掀起一场轩然大波…… 本片获1984年英国电影学院奖最佳剧本奖，1984年伦敦影评人协会奖年度电影奖，1984年全美影评人协会奖最佳女配角奖。
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比利·奥古斯特
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63岁的凯伦·布里克森声誉正隆并有望获得下一届诺贝尔文学奖。17年前，她的生活濒临崩溃，于是她不得不放弃自己在非洲的知名农场，回到丹麦。感染梅毒、失去一生挚爱的凯伦改写人生，在文坛一炮而红。然而，她依然孑然一身，直到有一天她遇到了一位30岁的天才诗人。她向他承诺，只要他不惜一切代价，无条件地服从她，她就会助他名利双收。 举世闻名的作家凯伦·布里克森与前途无量、雄心勃勃的新婚年轻诗人索尔基尔德·比约维格之间特殊而又极具争议的情谊成就了一个令人难以置信的动人故事。《信誓》是一部探讨两者关系的心理剧，影片以优美如画的风景为背景，充满了矛盾和对比。这个永恒的故事围绕诱惑和被诱惑、大胆的控制、有罪和无罪、两位天才之间不寻常的感情、导致致命承诺的欲望和需求而展开。发生在丹麦两大名人之间的这段关系充满悬念，两者间危险的承诺及不可避免的依赖所导致的严重后果最终催生出这个极具戏剧性的故事。
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梅德·翁多
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It’s winter in France, the light is dull, the camera pans over a snowy wasteland and enters a massive construction of steel and glass that is open at the sides, stopping in front of the reproduction of a wooden ship. The structure that juts out over the upper deck is inscribed with the words ‘Liberté, Égalité, Fraternité’. Med Hondo uses this tracking shot to establish the setting of his feature film West Indies ou les nègres marrons de la liberté (1979), while opening up a much larger space to the imagination at the same time. The ship turns out to be a most versatile stage for a grotesque narrative of colonialism, slavery and the struggle for independence in the French West Indies. Med Hondo explores his many themes in this limited space, whether it be the Middle Passage, marronage, abolition or the history of labour migration to France. The film marries an aesthetics of thrift with the flamboyance of a musical; different time periods glide into one other as elegantly as the geographical points of reference; and only occasionally do the actors’ visible exhalations, an alienation effect created by the cold, remind us that West Indies was not shot on Martinique.