Uri
搜索"Uri" ，找到 606部影视作品
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Jüri Silla
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这是第一部关于1949年苏联秘密警察（NKVD）将爱沙尼亚人强行驱逐至西伯利亚的电影。短短几天几夜内，近2.1万人——其中大多数是妇女和儿童——在高度保密的行动中被从家中带走，押送至火车站，关进牲畜车厢，踏上数千公里的旅程，被送往一个遥远、贫瘠、寒冷又充满敌意的地方，在那里他们大多被当作廉价（甚至是无偿）的劳动力使用。影片采用象征主义手法展现事件，主要角色分别象征圣经中的耶稣、撒旦和犹大。这种设定使影片在艺术表现上具有高度风格化，但也因此显得不够真实，节奏非常缓慢，观感较为吃力。尽管整体制作尚可，表演有时却过于戏剧化。可惜的是，这更像是一部中等水平的艺术片，而非一部值得推荐的历史题材电影。——彼得泽尔撰写
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班庄·比辛达拿刚,柏德潘·王般,Youngyooth Thongkonthun,Paween Purikitpanya
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影片由四个小故事组成。 因为车祸而行动不便的女孩通过短信与一素未谋面的男孩交往甚密，她将自拍发给男孩，并向男孩索要照片，手机嗡嗡的震动着，男孩发给她的照片上，女孩看到的究竟是什么？男孩生来性格内向懦弱，这成为了同学欺负他的最佳理由。一开始只是玩笑般的打闹，但逐渐的，欺负步步升级。男孩忍无可忍，决定冒着极大的危险，通过降头术将欺负他的人一一杀死。一群朋友外出露营，夜里，无聊的他们以讲恐怖故事为消遣，却自己被自己吓到，抢着要睡中间最有安全感的位置。第二天，睡在中间的男孩意外溺水身亡，按照恐怖故事所说的，今晚，已经死去的他会从地狱归来。飞机上搭载着王妃的遗体，这次航班的任务就是护送遗体回国火化。空姐心里惴惴不安，没想到恐怖的事情真的发生了，遗体离奇消失，在机舱封闭的万物理论 百度云空间里，在本该空无一人的厕所中，传来了令人毛骨悚然的声音。
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玛格丽·塔费里
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Andrea had just turned fifteen when he decided to take his life. He seemed to be a happy teenager, with good grades at school and an excellent relationship with his parents. There seemed to be no explanation for what he did, until his mother accessed his Facebook profile and reconstructed the terrifying bullying and cyberbullying her son was going through at school.
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哈利·伊丽莎白·安德森
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When her boyfriend goes back to Ukraine to be with his ailing father, 23-year-old Dakota anxiously navigates her precarious new reality, surviving on her own in New York City.
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Lucía Alemany
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After his father's death, Eric Zimmerman travels to Spain to oversee his company's branches. In Madrid, he falls for Judith and engage in an intense, erotic relationship full of exploration. Eric fears his secret may end their affair. 改编自梅根·麦克斯韦（Megan Maxwell）的畅销小说《告诉我你想要什么（Tell Me What You Want）》。
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布莱恩·斯基巴,文尼·奥布莱恩
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Set in a rugged town named Redemption. Reformed gunslinger, Thomas Keller (Dorff) and mad genius Ben (Cage) are guided by spiritual leader Jericho (Mandylor) as they strive for vindication. Confronting his violent history, a brutal bar fight and deadly feud reignites between Thomas, Ben and the notorious Five Points Gang. Now baptised and reborn, Thomas grapples with fresh challenges, testing his newfound peace amidst a town steeped in secrets, violence, and a relentless quest for revenge.
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Pirun Anusuriya
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Wanting to increase their channel views, a group of teenage Youtubers set out on a camping trip to the haunted Rayong province. Each of them starts to experience weird occurrences and they all perish in the incident under mysterious circumstances. In hopes of solving the case, the authority goes through the footage that the group has filmed and discovers an entity known as the White Brother ghost lurking within.
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Vishal Furia
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Eight-m黄鳝门 百度云onth pregnant Sakshi must save herself and her unborn chi巴巴爸爸高清下载ld from the evil within society and from the fear that lies in the paranormal world.
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Farhad Mann
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Allison Winters' world falls apart when her husband dies of a sudden heart attack, announcing on his death bed that he has a secret family. Six months later such family arrive on Allison's doorstep, determined to be a part of her life.
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Rod Hardy
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The descendant of Elizabeth Bathory is abducted by a cult of self-proclaimed supermen who achieve this state of superiority by drinking from the "blood cows" (read: people) kept at the "dairy farm", and they try to get her to join them.
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拉蒙·曲尔歇尔,西尔万·曲尔歇尔
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一张新公寓的平面图，两天的搬家进出，莉莎即将告别与玛拉同住的日子，所有的亲密与角力、回忆与张望，都在这狭小的空间中幽微地拉扯著。各方好友、家人、工人、邻居或小狗逐一现身，通通汇集到搬家现场，但每一次的错身或交谈，都有着雨后的故事动画不寻常的气息及欲望在狭缝里流动。有些家俱将被带走，有些记忆会被留下，莉莎、玛拉与这群好友之间的互动和情谊，都随着不时响起的华尔滋舞曲，在一进一退之间，谱写出充满焦虑、嫉妒、暧昧、孤独交织的浪漫小节。
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梅德·翁多
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It’s winter in France, the light is dull, the camera pans over a snowy wasteland and enters a massive construction of steel and glass that is open at the sides, stopping in front of the reproduction of a wooden ship. The structure that juts out over the upper deck is inscribed with the words ‘Liberté, Égalité, Fraternité’. Med Hondo uses this tracking shot to establish the setting of his feature film West Indies ou les nègres marrons de la liberté (1979), while opening up a much larger space to the imagination at the same time. The ship turns out to be a most versatile stage for a grotesque narrative of colonialism, slavery and the struggle for independence in the French West Indies. Med Hondo explores his many themes in this limited space, whether it be the Middle Passage, marronage, abolition or the history of labour migration to France. The film marries an aesthetics of thrift with the flamboyance of a musical; different time periods glide into one other as elegantly as the geographical points of reference; and only occasionally do the actors’ visible exhalations, an alienation effect created by the cold, remind us that West Indies was not shot on Martinique.
